CHARLES J. WYLY GALLERY
99 Midland Spur
The Art Base exhibits support student, emerging and established Colorado-based artists. Exhibition openings are held on the second Friday of every month from 5:00-7:00pm.
The Art Base exhibition program focuses on solo show opportunities for Colorado-based artists, with an emphasis on artists living in the Roaring Fork Valley. Other show opportunities also include: The Claudette Carter ARTmentors Program, the Art Base 10×10 Name Unseen Silent Auction, an annual group show, and a guest-curated Art Base Annual.
David Notor In Retrospect: The Last 15 Years
July 13 – August 3, 2018
July 13, 5:00–7:00pm
Featuring a retrospective from the past 15 years of pastels and oil paintings, David specializes in painting the landscapes of Colorado and the Southwest in an American Impressionist style. His work reflects his awareness of light and how its fluctuations emphasizes and transforms colors.
This exhibition will be his first solo show and is generously sponsored by Barbara and Pat McMahon.
10×10 Name Unseen Silent Auction
August 10 – August 18, 2018
August 10, 5:00-7:00pm
The Charles J. Wyly Gallery at the Art Base will feature 10×10 works created and donated by artists based in the Roaring Fork Valley. These works will be on view on August 10, but will only be available for purchase at the gala silent auction on August 18. In Name Unseen, artists’ identities have been concealed until the big reveal after the silent auction. With the artists’ names concealed, will you still immediately identify the panel created by your favorite artist? Or will you fall in love with work created by an artist you are unfamiliar with? We can’t wait to see how 10×10 Name Unseen unfolds, and we hope you are as excited as we are!
Harry TEAGUE Architects is a proud supporter of the Art Base and enthusiastically sponsors this exhibition.
Basalt Regional Library Collaboration
August Display: Paul Hilts
The Art Base works in collaboration with the Basalt Regional Library to curate exhibitions in the entryway display case. Exhibitions rotate monthly and feature local artists.
In his photography, Paul Hilts explores the beauty and the political upheaval of Burma (Myanmar, as it is officially known.) He and his wife Marjorie began traveling there in 2006 and followed the country’s fitful moves, from total isolation and authoritarian rule into the 21st century. During this time they saw new acquaintances become friends, friends become political prisoners and political refugees, prisoners and refugees later freed and returned home, and new lives and families begun. Burma is going through its own growing pains now, but the country remains a fascinating and enigmatic place.
As Kipling once wrote, “This is Burma and it is unlike any place you have ever seen.”
Paul has lived in the Roaring Fork Valley since 1976. His work has appeared in various publications including The Denver Post, Great Expeditions Magazine, Smithsonian Magazine, Mountain Bike Magazine and Mountain Travel-Sobek and Overseas Adventure Travel catalogues. In 2007 one of his photographs was awarded Best Travel Photograph in Smithsonian Magazine’s annual photography contest.
Art at Palladium Properties
We are excited to announce that we now work in collaboration with Palladium Properties, a valley-based real estate firm committed to providing a collaborative experience with an emphasis on local philanthropy.
The Art Base will curate exhibitions at Palladium’s new Willits location—364 Market Street. Exhibitions will rotate throughout the year and feature Roaring Fork Valley artists.
The current rotation, Color Story, features artist Larry Yaw.
“I begin by painting the big areas of a canvas with color and form, often with explored departures from the initial sketch until the canvas is ‘happy’. At this juncture I have learned that the painting starts telling me what it wants to become and that dialogue continues until the painting is complete. I regard the dialogue as an indispensable collaboration.”
As one of the founding partners of Cottle Carr Yaw Architects in 1971, Larry has been a major force in the firm’s creative direction. His energy, focus and talent for conceptualizing complex projects have contributed largely to the firm’s national reputation for design excellence. He became intrigued by the medium of oil paint and began to explore its possibilities and techniques—those beginnings were appreciably supported by the friendship and counsel of artists Andy Taylor and Dick Carter.
Palladium Properties hours: Monday-Friday, 10am-4pm
EXHIBITION ARCHIVE 2018
Binary Opposition: Mole©ules by Chris Erickson
June 8 – July 6, 2018
June 8, 5:00–7:00pm
Mole©ules speaks to the polarization of our society and looks to dig deeper into social, political, and racial differences that divide us—as well as commonalities that bring us together.
Chris is a Carbondale-based artist whose paintings, sculptures and assemblages uses levity and cultural references to provide a platform for social commentary.
This exhibition is generously sponsored by Teena and George Shaw.
The Claudette Carter ARTmentors Annual Exhibition:
Nancy Lovendahl (Mentor) + Jaden Costello, Basalt High School (Mentee)
Nicole Nagel-Gogolak (Mentor) + Ashlyn Dunn, Aspen High School (Mentee)
Summers Moore (Mentor) + Anika Chapman, Roaring Fork High School (Mentee)
May 11 – May 31, 2018
May 11, 5:00–7:00pm
These exhibitions are offered through The Claudette Carter ARTmentors Program—founded by working artist Nancy Lovendahl—for high school juniors who are considering a career in the arts. This year, Nancy and artists Nicole Nagel-Gogolak and Summers Moore each worked one-on-one for five months with their respective high school juniors. Mentees learn firsthand what it takes to become a working artist and are introduced to the full cycle of the artistic process—concept, creation, promotion—culminating in an exhibition at the Charles J. Wyly Gallery. This mentorship is invaluable in applying for admission and scholarships to colleges.
Jaden Costello communicates her artistic voice—“Using mixed media elements like graphite and watercolors, these pieces were made to express how nature has always given me a sense of comfort and to address how we should show that same respect to our planet.”
Ashlyn Dunn describes her work—“My body of work is based on my dreams of traveling the world and the different places I want to go. All the countries I chose to portray are near water, and in that way they are all connected so you can see throughout my pieces at least an inference to the idea of water. So far I have explored this concept in medias such as encaustic, wood, oil paint and resin.”
Anika Chapman shares her inspirations—“My artwork is inspired by personal beliefs, thoughts and feelings. Some of my pieces reflect how I feel about certain political issues such as gun laws and environmental protection as well as how I see the world around me. I use collage in all of my pieces because I feel that it stands out and truly conveys my message.”
This exhibition is generously sponsored by Good Works Foundation.
This program is generously sponsored by the Ed Bradley Family Foundation and Patricia Blanchet.
Healing Process: Summers Moore
April 13 – May 4, 2018
April 13, 5:00–7:00pm
Showcasing a retrospective of the past 20 years, with an emphasis on the past 10, Healing Process features a diverse range of photography, sketches and acrylic abstractions—focusing on “where we are now” and “how we got here” as seen through the artist’s eyes.
This collection of work travels through the healing process the artist found in art, as a means of therapy after the loss of her husband. No medium is out of bounds for the artist, and each one has an emotional resonance with the artist—conveying the truly important senses from the artist. The pieces are raw and visceral. Many of the photographs are in sharp focus, while the images after her husband’s death appear more driven by time and motion.
This exhibition is generously sponsored by Aspen Hope Center and
*In support of “May as Mental Health Month,” the Art Base will donate 5% of sales from the Healing Process exhibition to Aspen Hope Center.
Body of Work: Jamie Jaye Fletcher, Lena Nicholson, Meztly Esparza
March 9 – April 6, 2018
March 9, 5:00–7:00pm
Highlighting three young valley-rooted photographers, Jamie Jaye Fletcher, Lena Nicholson, and Meztly Esparza, Body of Work explores themes of society’s feminine ideal, objectification, sexual desire, strength, sensuality, and the uniqueness of the female body—shown from the female perspective behind the lens.
This exhibition is generously sponsored by Summers Moore.
Still: Lara Whitley
February 9 – March 2, 2018
February 9, 5:00–7:00pm
Site-specific installation featuring three-dimensional works made of abandoned glass, pottery and metal foraged in old dumping grounds in the Roaring Fork Valley. Exhibition will feature a mix of sculpture and installation that interacts with the gallery ceiling, walls and floor. This exhibition is generously sponsored by Poss Architecture + Planning and Interior Design. Installation is sponsored by Susan Hedrick Brady.
“I am drawn to the potential — and the quiet persistence — of the things we discard. Objects that still remain and that have remained still, until rediscovered,” Lara Whitley.
Half Lives: Ian Fisher
January 12 – February 2, 2018
January 12, 5:00–7:00pm
Inspired by the visible world, Denver-based Ian Fisher’s paintings resonate in idealism as well as the sublime, attempting to capture the sky in its multiple forms. The sky is a celebrated subject throughout art history and in our own visual history. However, it is something that most of us unconsciously overlook. It is something we are all familiar with but seldom have the opportunity to study in its fleeting moments. It typically exists in our minds solely as long flashes of color and line.
This exhibition is proudly sponsored by J.D. Black Construction, Inc.
EXHIBITION ARCHIVE 2017
Home: Unpacking Self and Place | Que es un hogar?
November 10-December 22, 2017
November 10, 5:00 – 7:00P
What is Home? How will you know when you’ve found it? How does it make you feel? What does it look like? These are the questions that newcomer students from Mexico, El Salvador, and Honduras will be exploring with artist Ajax Axe during the next eight weeks at the Art Base in Basalt.
The students participating in this project are enrolled in the English Language Development program at Basalt High School taught by Leticia Guzman-Ingram, 2016 Colorado Teacher of the Year. Most of the students, aged 14-18, arrived in the United States in the last few months— often after grueling journeys—and are just beginning to learn English and acclimate to life in Colorado.
The Art Base, Basalt High School and Ajax Axe are thrilled to be working with these students in their first art class ever. The goal of the annual program is to create a vision and find imaginative ways to make Basalt a more exciting and dynamic place to live—celebrating the Art Base as a home base and community center.
Through imagining different ideas about home and exploring concepts and stories, Ajax and the students will create a fantastical mural of the students’ ideal hometown complete with a personalized house created by each of the students. When the mural is complete, the community in Basalt will be invited to the Art Base to color in parts of the landscape and to write messages about their ideal vision of home.
Click here for more informationImaginandoUnHogar
Enjoy our recent press in Denver’s Westword magazine below!
October 13–November 4, 2017
October 13, 5:00 – 7:00P
The experience of swimming with whale sharks, gentle giants of the ocean, provided Lisa with the inspiration for this site-specific installation. Projecting underwater video upon layers of translucent and reflective materials, she creates an atmospheric and oceanic effect which embodies both the stillness of the deep sea and the dynamic interface of light and waves on the surface of the ocean.
Shannon Murphy Landscape Architects generously sponsors this exhibition.
September 8-October 7, 2017
September 8, 5:00 – 7:00P
Woodcuts of the Roaring Fork River—15 two-color prints were inspired by the semi-wild gorge formed by the Roaring Fork River near Aspen—allows the viewer to experience the oldest and simplest form of printmaking.
Poss Architecture + Planning and Interior Design of the Art Base generously sponsors this exhibition.
10×10 Name Unseen Silent Auction
August 11-August 19, 2017
August 11, 5:00 – 7:00P
The Charles J. Wyly Gallery at the Art Base will feature 10×10 works created and donated by artists based in the Roaring Fork Valley. These works will be on view on August 11, but will only be available for purchase at the gala silent auction. In Name Unseen, artists’ identities have been concealed until the big reveal after the silent auction. With the artists’ names concealed, will you still immediately identify the panel created by your favorite artist? Or will you fall in love with work created by an artist you are unfamiliar with? We can’t wait to see how 10 x 10 Name Unseen unfolds, and we hope you are as excited as we are!
Harry TEAGUE Architects is a proud supporter of the Art Base and enthusiastically sponsors this exhibition.
Dianne Light + Sally Cole
July 14-August 5, 2017
July 14, 5:00 – 7:00P
Elegant and sophisticated mix of functional ceramics combined with floral transfers on aluminum—with a definite pull from the garden and nature.
Proudly sponsoring the Art Base and the Light/Cole exhibition; Cunningham Mortgage Company, with offices in Aspen, Basalt, Telluride.
The Claudette Carter ARTmentors Program
June 9-July 8, 2017
June 9, 5:00 – 7:00P
The Claudette Carter ARTmentors is a program for high school juniors who are considering the arts as a career. Mentees are paired with professional artist mentors who help them learn firsthand what it takes to become a working artist. Mentees are introduced to the full cycle of the artistic process, from concept, creation, to promotion of the artwork. The 8-month experience culminates in an exhibition at the Charles J. Wyly Gallery.
Our 2017 Mentees:
Natalia Plascencia (Mentor: Nancy Lovendahl)
Megan Rusby (Mentor: Ingrid Magidson)
Mae Houston (Mentor: Gina Sheldrake)
May 12-June 3, 2017
May 12, 5:00 – 7:00P
Figurative work that celebrates the body in color and movement—to capture how the body speaks.
Influenced by the anti-war, civil rights and women’s movements of the 1960’s, Katha’s training as a painter and printmaker combined to speak to the politics of the times. Add a medical degree, and her concentration shifted from political to personal and the deeper appreciation of the body.
April 14-May 6, 2017
April 14, 5:00 – 7:00P
Collaboration with the Art Base and Carbondale Clay Center.
Ceramic artists and visual artists combine their arty efforts. The individual pairs will dictate the terms of this exciting collaboration.
Artist pairs include:
K Rhynus Cesark
Shelley Campbell Bogaert
March 10-April 8, 2017
March 10, 5:00 – 7:00P
The Charles J. Wyly Gallery at the Art Base is pleased to announce local, nationally collected artist Shelley Campbell Bogaert in an upcoming exhibition, Haiku: Of the Natural World.
Opening reception is Friday, March 10, from 5:00-7:00P.
Inspired by haiku, a Japanese poem, Haiku: Of the Natural World, showcases mixed media works and sculptures that mimic forms found in nature.
Encaustic and photographic images, reeds, metal, clay, porcupine quills, and fishing weights intermix with wall hung and freestanding sculptures comprised of steel, clay, wood, rope, linen and felt elements interacting with one another.
Most of the pieces were developed from a haiku written by the artist in response to a season or event in the world at large.
Teena and George Shaw happily sponsor this Art Base exhibition.
Brian Colley, John Cohorst, Andrew Rice
February 10-March 4, 2017
February 10, 5:00 – 7:00P
The Charles J. Wyly Gallery at the Art Base is excited to present an upcoming exhibition, Ideas on the Infinite, showcasing artists Brian Colley, John Cohorst and Andrew Rice
Opening reception is Friday, February 10, from 5:00-7:00P.
With the artists having roots in both Basalt and Carbondale—Brian and John are artists at the Studio for Arts and Works (SAW) in Carbondale, and Andrew attended school in Basalt from elementary through high school—Ideas on the Infinite explores ideas of space and how humans’ desire for understanding and knowledge takes us beyond this small planet. Check out this collaboration combining various medias to inquire, “Is there a wormhole that connects space and time?”
January 13 – February 4, 2017
January 13, 5:00 – 7:00P
The Charles J. Wyly Gallery at the Art Base is pleased to present local artist Burnham Arndt in an upcoming exhibition, Storm Lines.
Opening reception is Friday, January 13, from 5:00-7:00P.
Through his multilayered drawings, Burnham is exploring Chaos Theory and Dynamic Energy Flow as manifested in winter storms—to examine parallels in human behavior and decision making. Drawing from his photographer’s eye, these abstract layerings fuse superalative light and nature on rice paper.
December 9, 2016 – January 7, 2017
December 9, 2016, 5:00 – 7:00pm
The Art Base Annex is proud to present an upcoming exhibition, Taking Inventory: Works by Isa Catto showcasing internationally exhibited and collected artist Isa Catto. Opening reception is Friday, December 9, from 5:00-7:00pm. The exhibition dates are December 9, 2016 – January 7, 2017.
Increasingly looking for intersection in her private and public lives—as a mother, a woman, an artist, a writer, a gardener, as a citizen in her local community and at large—Taking Inventory examines where these identities overlap. Her creative process is inspired by the rhythm, the chaos, and considerations of my life—and by poetry, literature, and especially by the natural world.
November 11, 2016 – January 7, 2017
November 11, 2016, 5:00 – 7:00pm
The Charles J. Wyly Gallery at the Art Base is happy to present printer and graphic designer Rick Griffith in an upcoming exhibition, BTW / Collages, Assemblages and Prints.
Opening reception is Friday, November 11, from 5:00-7:00 pm.
BTW / Collages, Assemblages and Prints employs collage cut outs from magazines and graphic interventions in the style of Constructivism. The Constructivist Movement’s graphical ideas centered on tectonics, texture and construction.
El Lissitzky employs the Constructivist ideals in Post World War I Russia with a political poster featuring red and white structural cut outs. In Beat the Whites with the Red Wedge from 1919, El Lissitsky elicits his support for the Bolsheviks (red) against the whites (Kerenski). More importantly Lissitzky, a trained architect, breaks away from traditional art and designs formality and engages the community in a new set of ideas and graphic design.
Similarly, like the Bauhaus school that follows Lissitzky ideas, Rick explores the devices and notions of Constructivism through visual storytelling.
The composition of Rick’s diagrammatic collages, sourced from a garage sale collection of 1970’s Ebony magazines, speak to the rise of the—so called—African American middle-class. The diagrams and images form the basis of a conversation about privilege, about class and equality and being middle-class; with humor and parody. The contemporary source material, combined with drawing and cut paper, resembles the photomontages of Man Ray. The trace lines found in Rick’s compositions harken to the architectural influences of Lissitksy and Bauhaus teacher Herbert Bayer.
Harry TEAGUE Architects is a proud supporter of The Art Base and enthusiastically sponsors this exhibition.